Produktbild: The Bloomsbury Handbook of Gender in Popular Music Industries
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The Bloomsbury Handbook of Gender in Popular Music Industries

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

10.12.2026

Herausgeber

Sarah Raine + weitere

Verlag

Bloomsbury Academic

Seitenzahl

576

Maße (L/B/H)

25,4/17,8/3 cm

Gewicht

989 g

Sprache

Englisch

EAN

9798765132074

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

10.12.2026

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

576

Maße (L/B/H)

25,4/17,8/3 cm

Gewicht

989 g

Sprache

Englisch

EAN

9798765132074

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: The Bloomsbury Handbook of Gender in Popular Music Industries
  • List of figures and tables
    Contributors
    Acknowledgements
    Researching Music and Gender under Capitalist, Patriarchal, and (Neo)Colonial Power
    Catherine Strong, Sarah Raine, Tami Gadir, and Sharon Kong-Perring

    Part 1: Histories
    1. Filipino 'Jazzmasculinity' in Manila's Mainstream Press, 1955-1973
    Krina Cayabyab
    2. Dig Them Out: Women in Rock Memoirs as Archive
    Christine Feldman-Barrett
    3. Black Queer Women Artists and the Shapes, Textures and Boundaries of R&B Music
    Elizabeth Falade
    4. Feminisms and the Popular Music Industry from the 2000s
    Ann Werner
    5. Looking for the 'Gang of Trannies': Trans History of Punk and the Problem with Recovery
    Jay Szpilka

    Part 2: Hearing and Seeing Gender
    6. Touch - Tuning into Gender Dynamics of Performance Spaces
    Tina Krekles
    7. Musical Worldbuilding in Drag: Trans-Coded 'Spliced Collage' and Audience Co-Creation
    Sarah E. Cooper
    8. 'I'm Not That Interested in Gear': Passive Disinterest Toward Music Technologies Among Women and Gender-Diverse Instrumentalists
    Jeri Karmelic
    9. Welcome to the Queendom: New Gen Feminism and Blackness in Vinida's 'Queendom'
    Tiara Wilson
    10. Queer Futures on Stage: Chappell Roan and the Power of Performance Aesthetics
    Deanne Kearney
    11. 'Growth' versus 'Real Abilities': Nationalized Discourses, Fan Surveillance, and Live Controversies of Japanese K-Pop Girl-Group Members
    Mayako Shibagaki Liu

    Part 3: Politics and Policies
    12. Cultural Work, Music and Gender
    Rosa Reitsamer
    13. Addressing Gender-Based Violence and Harassment Within Music Higher Education
    Anna Bull
    14. Navigating Gender Dynamics in China's Popular Music Education
    Wai Chung Ho
    15. Rewiring the Infrastructure of the Danish Music Industry: Affects, Gender and Processes of Transformation
    Kristine Ringsanger
    16. Making Change from Outside the Industry: Salome MC
    G.J. Breyley, with Salome MC
    17. Supernova Hasbara: Psytrance Propaganda and Imperialist Feminism in a Time of Genocide
    Tami Gadir
    18. 'Why Did You Separate Me from the Earth?': On the Meaning of Climate Justice, Gender and Pop Music
    Mathew Klotz

    Part 4: Engaging with place and space
    19. Working With the Crew: Reflections on Integrating Participatory and Co-Creative Methods into Queer Nightlife Studies
    Maria A. G. Witek and Luis Manuel Garcia-Mispireta
    20. Gendered Points in Mapping the Music of Migration
    Abigail Gardner
    21. 'Super Shy' Girl Groups and Male Intrusion: An Autoethnographic Reflection on Gender and the Female Body in K-Pop Fieldwork and Industry Through Self Data
    Sharon Kong-Perring
    22. Mateship, Misogyny and Men Still Making a Scene: Gender Inequalities in the Australian Band Scene
    Freya Linke-Langley
    23. Localised Understandings of Gender and Queerness in the K-Pop Fandom(s): BTS' United Nations Speech as a Case Study
    Mathieu Berbiguier
    24. Lip-Synching Freedom: Drag, Gender Identity and the Politics of Performance within the Creative Industries of Postsocialist Serbia
    Andrija Filipovic

    Part 5: Interventions
    25. Commodifying the 'Sad Girl': Fantagonism, Parasociality and Social Media Dehumanisation of Female Singer-Songwriters
    Jenessa N. Williams
    26. Moving Beyond 'Freedom' Through Improvisation: A Feminist Reframing of Inclusive Improvised Music Making
    Sarah Raine
    27. Interventions on Gender Inequality in the Dutch Popular Music Industries
    Britt Swartjes
    28. What Happened After Their Voices were Raised: Assessing Industry Action on Gender Inequality and Safety in Australian Music
    Catherine Strong and Bianca Fileborn
    29. Conventions of Concealment: Deterritorializing Disabled Musicianship
    Jasmine Hazel Shadrack
    30. Parenting and Music Careers
    Shelley Brunt and Liz Guiffre
    31. 'It comes From a Place of Caring and Passion': Gender Equality Activism and Initiatives in Australian Music Scenes, 2015-2020
    Hannah Fairlamb

    'Music is Never Stopping': An Interview with Sally Anne Gross
    Sally Anne Gross and Catherine Strong

    Index