Produktbild: Cross-Cultural Television Audiences in the Age of Streaming
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Cross-Cultural Television Audiences in the Age of Streaming Revisiting 'The Export of Meaning'

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.09.2026

Herausgeber

Anne Beier + weitere

Verlag

Pallas Publications

Seitenzahl

336

Maße (L/B)

23,4/15,6 cm

Sprache

Englisch

ISBN

978-90-485-6061-5

Beschreibung

Portrait

Lothar Mikos is Professor Emeritus of Television Studies at Filmuniversität Babelsberg in Potsdam and Professor of Media and Communication Studies at Freie Universität Berlin, Germany. His main research area is television and streaming as popular culture.

Gisela Dachs is a full professor at the European Forum and the Center of German Studies of the Hebrew University of Jerusalem, Israel. She has also been working as an international journalist and book-author, covering Israel and the Middle East. Since 2001 she is the editor of the Jewish Yearbook "Jüdischer Almanach" of the Leo Baeck Institute Jerusalem.

Anne Beier completed her PhD on the relation of religion and politics in German media. Additionally, her research focuses on intercultural integration and television analysis, and quantitative and qualitative social research methods.

Benjamin Nickl is a Senior Lecturer in the Department of Comparative Literature, Culture, and Translation Studies at The University of Sydney, Australia. He works on entertainment technologies such as streaming and its techno-cultural politics, tastes, and audience developments. He is the author of Turkish German Muslims and Comedy Entertainment (2020) and co-editor of Moral Dimensions of Humour: Essays on Humans, Heroes and Monsters (2024).

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.09.2026

Herausgeber

Verlag

Pallas Publications

Seitenzahl

336

Maße (L/B)

23,4/15,6 cm

Sprache

Englisch

ISBN

978-90-485-6061-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Cross-Cultural Television Audiences in the Age of Streaming
  • Contents

    Contents. 5

    List of Figures. 7

    Contributors. 11

    Introduction. 15

    Lothar Mikos, Gisela Dachs, Anne Beier, Benjamin Nickl

    Section 1: Practical Research Reflections. 29

    Abundance of exports: Researching transnational audiences in the transition from broadcast to video-on-demand. 33

    Cathrin Bengesser & Susanne Eichner

    Exploring Transnational Audiences in the Streaming Age: A multimethod design for cross-cultural and context sensitive reception research. 53

    Anne Beier, Joachim Trebbe

    The Tags that Streams Are Made Of: Content Metadata in Streaming Media and the Transnational Export of Categorical Meaning. 63

    Shawn Shimpach

    Section 2: When National Becomes Transnational -Production and Distribution. 85

    Distribution and sales companies as gatekeepers in the export of meaning. 87

    Lothar Mikos

    Listen to the Audience: Social TV and the Importance of Community Management on Social Media 107

    Ann-Kathrin Böttke, Sven Stollfuß

    Local narratives that travel the world: the Israeli case. 127

    Gisela Dachs

    Cross-cultural, but illegal: Piracy and Media Content in Russia. 145

    Yulia Yurtaeva-Martens

    Section 3: Content is King: Perspectives on Television Texts. 163

    Questioning Freedom of Press, From a Distance: The case of Borgen and Novine. 165

    Giancarlo Lombardi

    Postcarding Madrid: Analysing residents' interpretations of the city in the Netflix series Valeria. 181

    Deborah Castro, Ana C. Uribe Sandoval

    The Cultural Export Politics of Streaming Television: On-Demand Meaning and German Prestige Drama 197

    Benjamin Nickl

    Outback Noir: Transactional Transnationalism and the Australian TV drama. 219

    Sue Turnbull and Marion McCutcheon

    Section 4: Content Communities. 237

    Consumption and Distribution of South Korean TV Dramas in the US: From Diaspora TV to Netflix 239

    Sangjoon Lee

    Exporting the Past to Costa Rica: Stranger Things as Digital Nostalgia. 259

    Rodrigo Muñoz-González, Adrian Athique

    The Co-decoding of Fannish Meaning: Transcultural Fandom and Imagined Industry. 284

    Matt Hills

    Bibliography. 303

    Index. 315