Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
14.12.2026
Verlag
Oxford AcademicSeitenzahl
608
Maße (L/B)
23,4/15,6 cm
Sprache
Englisch
ISBN
978-0-19-894264-1
The Fasti is Ovid's six-book elegy on the first six months of the Roman calendar; it brings the ancient city to life in a way that few other texts achieve. Nevertheless there has been no previous Oxford Classical Text: this book serves as a companion to the OCT published simultaneously. It consists of four parts: (i) a detailed description of the manuscripts used; (ii) notes on the text, passage by passage, book by book; (iii) translations of the six books as printed in the OCT; (iv) a list of errors in the MSS, sorted by type. Although published under Tiberius, the earliest copy of the Fasti belongs to the 10th century, and even that survives for just over four books. We are mainly dependent on the more than thirty copies dating from 1050 to 1250, a period when there was intense interest in the poem, spreading from the great Benedictine abbeys. The first section describes 26 manuscripts (including three from the 15th century), and explores their character, history, and interconnexions. The notes are the core of the volume: they explain and justify the text printed in the OCT; and as an acknowledgement that no text is definitive, they attempt to contribute to ongoing debate about the correct readings and the meaning and significance of each couplet, and about the poet's style. Though the discussion in the notes is primarily textual, at times there is consideration of thorny questions of Roman topography, religion, history, and the calendar. Before each section, there are selective bibliographies, including items of importance for literary interpretation or textual criticism. The volume culminates in an English translation of the text printed in the OCT, and a catalogue of mistakes made by the scribes, with a particular focus on categories such as anagrams, mistakes in the middle of words, contextual and semantic substitutions, interpolations, and intrusive glosses.
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