Early Modern Bonds of Trust From Shakespeare to Milton
Aus der Reihe
Arden Studies in Early Modern Drama
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- Hardcover
- Taschenbuch
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Form:Einzelkauf Download
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Sprache:Englisch
89,49 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Ja
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
24.04.2025
Herausgeber
Alison Findlay + weitereVerlag
Bloomsbury eBooks UKSeitenzahl
256 (Printausgabe)
Dateigröße
1909 KB
Auflage
1. Auflage
Sprache
Englisch
EAN
9781350462014
The concepts of trust and risk provide important insights into the social and cultural life of early modern England but remain relatively unexplored in early modern literary studies.
This collection addresses that gap by exploring a wide range of literary genres and texts including comic drama, lyric verse, emblem books, ledgers, wills, polemical prose and religious epic. Contributors explore issues of personal trust through the faith and lies that characterize Shakespeare's sonnets, Donne's sermons and Milton's Paradise Lost. Following the idea of trust and risk into community brings us to a discussion of The Merry Wives of Windsor, the spiritual trust of faith communities and the network of relationships that are traceable though surviving records of women's wills. Following this progression outwards from the personal to the communal, the final essays in the collection consider the role of institutional trust, specifically the early modern obsession with credit in its various guises. The Merchant of Venice, Volpone and The Winter's Tale act as illustrative examples of credit's significance for understanding trust and risk in the early modern period. Taken together the range of texts and genres considered reveal new insights into early modern English literature and its socio-economic context.
This collection addresses that gap by exploring a wide range of literary genres and texts including comic drama, lyric verse, emblem books, ledgers, wills, polemical prose and religious epic. Contributors explore issues of personal trust through the faith and lies that characterize Shakespeare's sonnets, Donne's sermons and Milton's Paradise Lost. Following the idea of trust and risk into community brings us to a discussion of The Merry Wives of Windsor, the spiritual trust of faith communities and the network of relationships that are traceable though surviving records of women's wills. Following this progression outwards from the personal to the communal, the final essays in the collection consider the role of institutional trust, specifically the early modern obsession with credit in its various guises. The Merchant of Venice, Volpone and The Winter's Tale act as illustrative examples of credit's significance for understanding trust and risk in the early modern period. Taken together the range of texts and genres considered reveal new insights into early modern English literature and its socio-economic context.
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