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Produktbild: The Typographic Imaginary in Early Modern English Literature

The Typographic Imaginary in Early Modern English Literature

279,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.07.2018

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

218

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

473 g

Sprache

Englisch

ISBN

978-1-4724-8042-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.07.2018

Abbildungen

schwarz-weiss Illustrationen, Raster,schwarz-weiss

Verlag

Taylor and Francis

Seitenzahl

218

Maße (L/B/H)

23,5/15,7/1,6 cm

Gewicht

473 g

Sprache

Englisch

ISBN

978-1-4724-8042-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Typographic Imaginary in Early Modern English Literature

  • Contents

    List of Figures v

    Acknowledgements vi

    Note on Quotation vii

    Abbreviations viii

    Introduction: Print and the Difference it Makes 1

    Implications 7

    Critical Mapping 16

    Cases 26

    Chapter 1: Instructional Texts and Print Symbolism: Christopher Plantin, Hieronymus Hornschuch, and Joseph Moxon 51

    Processes 55

    People 69

    Conclusion 77

    Chapter 2: An Emergent Typographic Imaginary in William Caxton's Paratexts 86

    Life in Literature, Diplomacy, and Commerce 88

    The Benefits of Printing in Recuyell of the Historyes of Troye 90

    Imagined Typographic Space 96

    Reorganising Continuity: Mirrour of the World 104

    Conclusion 112

    Chapter 3: Robert Copland, Thomas Blague, and the Printer-Author Dialogue 124

    Printer-Author Dialogue and its Mutations 126

    Characterising the Printer: Gatekeepers of the Press 130

    Print and Metacommunication: Uses of the Dialogue Form 145

    Conclusion 153

    Chapter 4: Protestant Printing and Humanism in Beware the Cat: Undoing Printing 164

    Protestant Printer and Humanist Scholar 168

    Dead Bodies and Printer's Devils 174

    Printing and Penning 178

    Conclusion 183

    Chapter 5: George Gascoigne and Richard Tottel: Negotiating Manuscript and Print in the Poetic Miscellany 193

    Typographic Value in the Prefatory Poses of A Hundreth Sundrie Flowres 199

    The Benefits of Printing in The Posies of George Gascoigne Esquire 209

    Conclusion 215

    Chapter 6: Edmund Spenser's Early and Mid Career: Public Image and Machine Horror

    223

    Early Career Self-Presentation: The Shepeardes Calender and Three Proper, and Wittie, Familiar Letters 225

    Monstrous Typographic Fertility in The Faerie Queene 232

    Resonant Errour in 'The Teares of the Muses' 244

    Conclusion 247

    Chapter 7 St Paul's Churchyard and the Meanings of Print: Pierce Penilesse His Supplication to the Divell 259

    Nashe's Mosaic of the Print Trade 266

    Waste and Matter 274

    The Figurative Authority of Print 280

    Conclusion 282

    Conclusion: Love and Loathing in Grub Street 289